THESE ARE OUR NEIGHBOURS
By Katharine Williams

A RUPTURE production, co-produced by Company of Wolves and Katharine Williams, and presented in association with Bijli Productions.
14-17 October 2026
Citizens Theatre, Glasgow
There’s a van on your street. It says IMMIGRATION ENFORCEMENT on the side. It’s here for your neighbours. What do you do?
Fusing documentary with celebratory dance theatre, These Are Our Neighbours revisits the attempted raid on Kenmure Street in 2021 that became an eight-hour act of shared resistance, where an entire community mobilised to protect two people from deportation. Written by Katharine Williams (Miracle on Deanston Drive) and developed in collaboration with the community of Pollokshields, These Are Our Neighbours blends testimony, movement, music and light to tell an inspiring story of everyday humanity, solidarity and courage.
Lead Artist, Writer and Lighting Designer: Katharine Williams
Director: Ewan Downie
Cast includes: Umar Butt and Leticia Sánchez
Associate Director: Shilpa T-Hyland
Composer: John Biddle
Designer: Alisa Kalyanova
Assistant Lighting Designer: Louise Chan
Production Manager and Associate Artist: Louise Gregory
Engagement Producer: Fauzia Ahmed
Joint Artistic Director, Company of Wolves: Anna Porubcansky
Producer: Corinne Salisbury
SLAYERS
By Corinne Salisbury

A RUPTURE production at the Edinburgh Fringe 2026.
18-30 August 2026
Assembly George Square Studios, Studio Five
“He takes hold of my wrist. His thumb is on the vein. His eyes into my eyes. I don’t pull away. Then I do, I pull away.”
Liane is a single mother, a survivor of abuse, now trying desperately to shield her ten-year-old daughter from the world’s dangers. As her daughter suffers bullying, Liane has a real-world encounter with the Manosphere that stokes her rage. Mother and daughter take up boxing. They develop a taste for violence. They plot their revenge…
SLAYERS is a tense contemporary drama that asks: How can we arm our daughters against the world? What happens when our anger makes us go too far? When does revenge stop feeling righteous – and how do we find a better way?
Developed with support from Summerhall Arts.